Finding some new compositions. Splicing letterforms and word-like shapes together across from a “baseline” curly bracket

sketching new compositions. words, letters, brackets.

testing out some install ideas for tegnetriennalen

Swatching Stuart Semple’s Black 2.0 “the blackets black paint”

Cabin work session, in the mountains of Norway. Developing the structure for the KUNSTFELTET book.

Oslo openings talks, and the privilege of being angry.

A uniform is a code. Here, the code is scrambled.

I really cherish these coffee breaks/cake breaks/lunch breaks we take together. Our host farmer, Sverre, his mates who would help with the harvest too, and us artists, participating.

farmwork really is like performance work. You have an idea of how to get a certain outcome in theory, but in the moment you also have to listen, react, improvise, judge.

Day 1 of potato-performing over scenic Randsfjord.

Artist life is donkey life. Gearing up to perform.

Last minute touches on our costumes for KUNSTFELTET.

Researching the motif of potato picking in Norwegian art.

KUNSTFELTET site visit, Sverre showing me the potatoes.

Drawing a new bracket, this time in the sky.

Cut-paper sketch for the Cambrridge Art Galleries show “eating the other”

Growth mindset. Selfie challenge?

Cut-paper sketch for the Cambrridge Art Galleries show “eating the other”

interview and artist talk at RAM gallery, Oslo.

Artist life is donkey life

Framing “Wait” at Trafo.

Seeking studio inspiration. Etel Adnan

Open studio at Latitude 53